透過水墨長卷三部曲在不同光源下的局部呈現，迷惑觀者對全局的想像，進而在不同歷程後公布全局，有種最後攤開真實的呈現，整件作品是一種動態的展覽機制。

第三度入選「2024台灣美術新貌獎」

2024 台灣美術新貌獎
地點 │ 台台中港區藝術中心
展期 │ 2024.07.13 - 09.08

黑盒子的水墨長卷

「萊特詩中靈魂的鳥飛來/ 在即將斷裂的枝條上，歌唱/ 含淚傾聽，融化禁錮的封印/ 從來沒聽過的歌聲，/ 從心中湧出，歌唱秘密花園的愛戀/ 無聲深淵的絕望，天空的影子。/ 以愛為名，歌唱到最後一刻。」——〈失聲畫眉之歌〉

"The soul’s bird from Wright's poem flies in, singing on a branch about to break, listening with tears, melting the locked seal. A song never heard before rises from the heart, singing of love for a secret garden, of despair in the silent abyss, and the shadow of the sky. In the name of love, it sings to the last moment." — "The Song of THE SILENT THRUSH"

觀眾透過手機光源和不同觀賞角度，體驗作品在光與影間的變化。這個黑盒子空間不僅象徵戲劇舞台的幕前幕後，還讓觀者成為藝術的一部分，深度探索內在情感與社會現實的交融。

Through the light source of their mobile phones and varying perspectives, viewers experience shifts between light and shadow within the work. This black box space not only symbolizes the front and backstage of a theatrical stage but also invites viewers to become part of the artwork, diving deeply into the fusion of inner emotions and social reality.

〈失聲畫眉之歌〉水墨裝置的文本來自凌煙的小說《失聲畫眉》，沒落的歌仔戲班漂泊的同志情慾，台上台下上演，長期關注數位時代記憶議題，結合文本、水墨長卷和舞台設計，模擬社群軟體窺看私人情感的多重視角，探索線上線下的虛實邊界，體驗情感世界的豐富深沉，培養多元包容的同理心。

"The Song of THE SILENT THRUSH " ink installation is inspired by the text from Ling Yan's novel "The Silent Thrush." It portrays the drifting, tender love of a fading Taiwanese opera troupe, unfolding on and off stage. Long interested in the theme of memory in the digital age, this piece merges text, a long ink scroll, and stage design to simulate multiple perspectives of private emotions, mirroring how social media provides glimpses into intimate worlds. It explores the boundary between the virtual and real, online and offline, allowing viewers to experience the profound depths of the emotional realm and fostering empathy that embraces diversity.

探索數位時代情感的虛實邊界

動線採用「出將入相」進出，「入相」象徵走進內在的心靈世界，藉由窺探、省思，與自己對話，「出將」則是回到外在的現實世界，面對、選擇，與社會對話。透過水墨長卷三部曲在不同光源下的局部呈現，迷惑觀者對全局的想像，進而在不同歷程後公布全局，有種最後攤開真實的呈現，整件作品是一種動態的展覽機制。

The layout follows the symbolic movements of "Entry as an Official" and "Exit as a Minister." "Entry as an Official" signifies entering the inner spiritual world, engaging in introspection and dialogue with oneself, while "Exit as a Minister" represents returning to the external, facing and choosing to engage in dialogue with society. The ink scroll trilogy reveals partial views under different light sources, intentionally obscuring the full picture to provoke the viewer's imagination of the whole. Gradually, the entire scene unfolds as they move through different phases, culminating in a final revelation of truth. The piece functions as a dynamic exhibition mechanism.

裝置藝術最迷人的地方在觀眾驚奇的表情，觀眾可以「走進」作品，成為作品的一部分，當他「走出」作品，變成一個不一樣的人。

The most captivating aspect of this installation art is the viewer’s expression of wonder. Viewers can "step into" the work, becoming a part of it, and upon "stepping out," they emerge as changed individuals.

水墨裝置藝術是送給這個世界的禮物，傾盡生命做成，請享用。

This ink installation is a gift to the world, created with the full devotion of life. Please enjoy.

觀看的方式

觀看先於言語。孩童先會觀看和辨識，接著才會說話。——約翰・伯格《觀看的方式》

"Seeing precedes words. The child looks and recognizes before it can speak." — John Berger, Ways of Seeing

你知道以前的人怎麼看長卷嗎？兩手拉開一段，右手慢慢收捲，左手慢慢展放，這種瀏覽、重疊、移動的視點，稱為散點透視，觀看的角度千變萬化。

Do you know how people used to view a handscroll? Holding it in both hands, they would unfurl a section, gradually winding it back with the right hand while expanding it with the left. This browsing, overlapping, and moving viewpoint is known as scattered perspective, offering endlessly varied angles of viewing.

〈失聲畫眉之歌〉水墨長卷三部曲，從黑白幽微到色彩奔放的史詩架構，原創的流淌性線條、放射性圖案、工業網絡以及書寫性筆觸，演繹私密的心靈圖像。

The Song of THE SILENT THRUSH ink scroll trilogy, from its subtle monochrome beginnings to its vibrant, epic structure, uses original flowing lines, radiating patterns, industrial networks, and calligraphic strokes to portray intimate images of the inner soul.

現在，邀請你試試看新的觀看方式：

1.在場外透過半透明展牆窺視

2.在場內用手機照明觀看長卷

3. 坐在場內的椅子上觀看其他人看展

4.走出場外觀看仿歌仔戲後台的窺視牆

5.新的可能性

Now, I invite you to try a new way of viewing:

Peek through the semi-transparent exhibition wall from outside.
Use your phone as a light source to view the scroll up close inside.
Sit on the chairs inside and observe others as they view the exhibition.
Step outside and look through the peeking wall that mimics a traditional Taiwanese opera backstage.
Explore new possibilities.

#水墨長卷 #觀看的方式 #社群軟體 #窺探 #隱私 #水墨裝置

【怎麼做裝置藝術？我的經驗是讀再多理論都不如從做中學！江心靜水墨裝置實例分析】